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Articulating the Experience of Transparency: An Example of Field Research Techniques

Posted on September 9, 2010 by Michael

…ndard Computer Interface, Part I: Theory and principles. Byte, 7 (10), October 1982, 291-310. Whiteside, J , Bennett, J. and Holtzblatt, K. Usability engineering: Our experience and evolution. To appear in Handbook of Human-Computer Interaction, M. Helander, Ed., North-Holland. Winograd, T. and Flores. F. Understanding Computers and Cognition: A New Foundation for Design. Ablex, Norwood, NJ, 1986…. Continue reading →

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Coming Up: El Niño

Posted on December 1, 2010 by Michael

…day oratorios, El Niño mixes Biblical texts with other poetic sources that comment on and develop the story. El Niño is not just about Christmas, but also about birth and powerful change. Particularly noteworthy is the inclusion of the female perspective, including key movements set to the poems of Mexican poets Rosario Castellanos and Sor Juana Inés de la Cruz. The San Francisco Symphony was a co-commissioner of this work, and I have been lucky e… Continue reading →

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Coming Up: Dutoit Conducts Poulenc and Berlioz

Posted on February 6, 2013 by Michael

We have a great program coming up with the San Francisco Symphony Chorus! Maestro Charles Dutoit will be conducting two wonderful French choral works: Poulenc’s Stabat Mater and Berlioz’s Te Deum. Erin Wall is the soprano soloist in the Poulenc and Paul Groves is the tenor soloist in the Berlioz. The Pacific Boychoir directed by Kevin Fox and organist Jonathan Dimmock also join in on the Berlioz. Performances are Wednesday through Sunday except f… Continue reading →

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Coming Up: Missa solemnis, Take 2

Posted on May 9, 2013 by Michael

…er voices and better listening to one another. People sometimes wonder why come back to a piece so soon after it has been performed. I think this will be a great example of the power of withdrawal and return. When you immerse yourself in something — whether a technical issue in engineering, or performing a masterpiece of the musical repertoire — it is so productive to get away from it for a while and come back to it from a renewed and refreshed pe… Continue reading →

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Coming Up – Sousa’s El Capitan

Posted on July 17, 2016 by Michael

…ous talents. My role is Pozzo, Don Medigua’s loyal chamberlain. Pozzo is a comic tenor, and the first role I’ve had that combines dialog and solo singing – in this case, much more dialog than singing. It was created in New York by another short actor, Alfred Klein, brother of Charles Klein who wrote the El Capitan book. I am grateful to Paul, Jeff, and Neil for giving me this opportunity. Pozzo has some very funny lines which I hope the audience w… Continue reading →

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MakeMusic Universal File Format Comes to SmartMusic

Posted on July 15, 2014 by Michael

…requiring Finale 2014 users to save back to Finale 2012 and create their accompaniment files there. Today, MakeMusic updated the SmartMusic applications for Windows, Mac, and iPad to open SmartMusic accompaniments in both the new file format (.smpx) and the old file format (.smp). Because the new file format is both forward and backward compatible, we will no longer have these incompatibilities between Finale and SmartMusic versions. The current v… Continue reading →

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Coming Up: Mason Bates’ Mass Transmission

Posted on March 14, 2012 by Michael

…s by other composers have still tended to be either all click track or all free, not such a fascinating combination of the two. Along these lines, it’s been very interesting watching the interaction between Mason Bates and Donato Cabrera. Maestro Cabrera’s instincts are sometimes to free up the vocal singing in places. However, he is letting composer Bates guide him back to following the alternation between free and locked as specified in the scor… Continue reading →

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Coming Up: Debussy

Posted on January 10, 2012 by Michael

…music in a semi-staged production. The work becomes a multi-media pageant complete with narrator, soloists, chorus, and orchestra. If you’ve seen SFS semi-staged productions before, you know they can make remarkable use of the Davies Symphony Hall space. You can see the projections in the publicity photo above, but there’s more to the staging than that. Anne Patterson is the director and designer; Michael Tilson Thomas is the conductor; Frederica… Continue reading →

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