Music

Next Performances

I will be returning to the Stanford Symphonic Chorus after a long absence to sing two works with personal connections for me. Howard Hanson’s Symphony No. 7 (A Sea Symphony) was written for Interlochen’s 50th season of the National Music Camp, and I attended the premiere with Hanson conducting. Aaron Copland’s Canticle of Freedom was written for the dedication of MIT’s Kresge Auditorium, where I spent many of my student days rehearsing and performing.

This concert is the chorus’s annual collaboration with the Peninsula Symphony. The program also includes orchestral works by Howard Hanson and Jessie Montgomery. Stephen Sano and Mitchell Sardou Klein will conduct.

The performances will be on Saturday, November 23 at 7:30 pm and Sunday, November 24 at 2:30 pm, both at the Bing Concert Hall at Stanford University. Tickets are available online for the Saturday and Sunday concerts.

Ensembles

My most frequent performances are now with the West Bay Opera chorus and Voices of Silicon Valley. Recently I have also sung with the Stanford Symphonic Chorus and Musikiwest. In the past, I have sung with:

In the past I studied at:

Excerpts

Here I am singing in the tenor section of the Masterworks Chorale in November 1996, conducted by Galen Marshall:

Before I started singing, I was a trumpet player. I played in just about every musical group at MIT, including the Symphony Orchestra, Festival Jazz Ensemble, and Concert Band. The MIT Festival Jazz Ensemble, directed by Herb Pomeroy, was one of the first three collegiate bands from the USA to perform at the Montreux Jazz Festival. Here are two excerpts from our appearance at the 1981 Notre Dame Collegiate Jazz Festival:

Herb Pomeroy and band performing in Copley Square, Boston, early 1980s

In Memory of Herb Pomeroy, 1930 – 2007, father of jazz at MIT