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Coming Up: Brahms and Schütz
…motets on the Koch International label – now out of print, but available from used stores at Amazon and elsewhere. What a beautiful recording, conducted by the late Craig Smith. It includes several motets composed to texts that Brahms also used in A German Requiem. It’s a fun challenge to combine the very different vocal and choral styles needed by Schütz and Brahms in the same concert…. Continue reading
Coming Up: Verdi Requiem
…for the San Francisco Symphony Chorus’s performances of the Verdi Requiem, coming up next week. The Verdi Requiem turns out to be one of music notation’s record holders. No other work in common Western music notation has more augmentation dots on a note than the 4 dots Verdi uses in setting “Salva me” in the Rex tremendae portion of the Sequence: This is one of many cases of a stuttering rhythm in the Sequence, helping to convey a sense of fear an… Continue reading
Posted in Chorus, Music, Music Notation
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Coming Up: Mahler, Duruflé, Beethoven
…nus Dei, a choral transcription of his Adagio for Strings, was done by the composer. The rest were arranged by others, including a beautiful 16-part a cappella version of Mahler’s Ich bin der Welt abhanden gekommen. Ragnar Bohlin will conduct; he also arranged the Schubert and Schumann songs that we’ll perform with our wonderful pianist, Matthew Edwards. Tickets are available online and at the Davies Symphony Hall box office. The San Francisco Sym… Continue reading
Coming Up: El Niño
…day oratorios, El Niño mixes Biblical texts with other poetic sources that comment on and develop the story. El Niño is not just about Christmas, but also about birth and powerful change. Particularly noteworthy is the inclusion of the female perspective, including key movements set to the poems of Mexican poets Rosario Castellanos and Sor Juana Inés de la Cruz. The San Francisco Symphony was a co-commissioner of this work, and I have been lucky e… Continue reading
Coming Up: ISMIR 2008
…y percentage of work involving scores and sheet music. It is always fun to see everyone again and take in all the progress made in the past year. And it’s one of the best places to find other people who are seriously into both songs and schemas. I’m looking forward to it!… Continue reading
MusicXML in Commercial Applications
…al displays are based on the MusicXML format. In contrast, MuseBook Score (www.musebook.com) from AMuseTec Co., Ltd., is the first commercial product to use a symbolic music representation, the MusicXML format, to present repertory on an electronic music stand (Figure 1.4). The initial version of MuseBook Score, released in 2004, displayed MusicXML files of piano music on a Windows PC, then “listened” to a performance of the piece. The performance… Continue reading
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Coming Up: Ravel and Bernstein at San Francisco Symphony
…nclude last month’s Spring Choral Concert, but that was the reduced instrumentation for organ, harp, and percussion. With full orchestra it is even more glorious. The Ravel of course is one of the most beautiful works ever written. The Suite No. 2 that is often done comes from the third act of the ballet. In this concert we are doing the entire wonderful score. Performances are May 19, 20, 21 and 23 at Davies Symphony Hall. The weekday concerts ar… Continue reading
Coming Up: Swedish Choral Music at San Francisco Symphony
…on. The concert starts with the premiere of Fredrik Sixten’s Let There Be, commissioned by the San Francisco Symphony. The chamber chorus sings this, so I’ll be hearing it for the first time at the concert. The first half continues with Ludvig Norman’s Jordens oro viker, Ingvar Lidholm’s … a riveder le stelle, Sven-Eric Johanson’s Fancies II, and concluding with Two Folksongs set by Lars Edlund. The second half of the program starts with selection… Continue reading